Tag Archives: Godzilla

Rogue One: A Star Wars Story (Original Motion Picture Soundtrack) (2016)

Michael Giacchino - Rogue One

For nearly four decades now the music that John Williams has created for Star Wars has become as instantly recognizable as  Darth Vader’s breathing or the heart stopping light saber duels between Jedi Knight and Sith Lord. These scores serve as  the heartbeat to the films and go beyond setting the mood whenever a firefight breaks out on the streets of Mos Eisley or in the skies above the icy war torn battlefields of Hoth. With Disney now owning Lucasfilm the long term strategy plan being put into motion is to release both saga and anthology/stand alone films from here until eternity. With John now in his mid-80s his focus will remain on the new saga trilogy that began with The Force Awakens last December. As for the anthology films that have just now begun rushing down through the flood gates the young film makers and composers who helm these projects will have the daunting task of creating something that can go off and explore the vast reaches of that galaxy far, far away all the while retaining  that emotional depth viewers felt when Luke Skywalker stood and looked out upon the twin suns of Tatooine as they sank down beyond the horizon.

Michael Giacchino is certainly no stranger when it comes trying to emulate John Williams. His first major scoring session was composing original music for the Playstation and Sega Saturn video game adaptation of The Lost World: Jurassic Park.  As fate would have it Giacchino found himself transitioning into the long dormant film franchise with Jurassic World (which would go on to become the second highest grossing film of 2015 right behind Star Wars: The Force Awakens, no less).  Originally Giacchino wasn’t the first choice to be the composer on Rogue One: A Star Wars Story as Alexandre Desplat (who collaborated with director Gareth Edwards on Godzilla) had to drop out due to a scheduling conflict. Michael entered the fold with only four and a half weeks to write and record a full score. Under any circumstances even the most seasoned composer would crack under such extreme pressure however Giacchino melds a majority of Williams’ classic Star Wars motifs with material that fits into Edwards’ vision of an anthology film that brings a gritty realism to the wars fought between the empire and the rebellion. I’ve read feedback where many feel that this soundtrack would be more in line with any other science fiction film currently on the market and upon giving it my first listen I didn’t quite like what I was hearing as one track in particular, The Imperial Suite, teeters on being generic and leaves a lot to be desired considering John’s Imperial March is widely considered one of the most popular musical themes of the latter 20th century. Regardless of being under the gun (or more fittingly the blaster rifle) Michael Giacchino was able to come into his own during the final half of the score with five of the last six tracks where I’d recommend everyone put their focus if you’re willing to hit repeat and allow something that’s a little left of center to truly take form. Personally I think it blends rather well with the classic themes we all know and love and if you’re wishing that there were more of those cues featured in Rogue One all the previous soundtracks are still readily available in various formats so you can mix seminal with contemporary and still win out.

Final Grade: B+

El Rey Network’s Kaiju Christmas – The destructive gift that keeps on giving…

via: Comingsoon.net

El Rey unleashes third annual 96 hour ‘Kaiju Christmas’ Godzilla movie marathon

Add some wanton, rubber-suit destruction to your holiday celebrations as El Rey Network trots out its third annual “Kaiju Christmas” marathon, bringing you over 96 hours of roaring action featuring the one and only giant Japanese atomic dinosaur, Godzilla. The marathon crashes into your home with the original film that started it all, the original 1954 Japanese flick Gojira (the U.S. cut, Godzilla: King of the Monsters will also screen) on Friday, December 23rd at 6AM ET/PT and culminates with Godzilla Raids Again (aka Gigantis The Fire Monster) on Monday, December 26th at 6AM ET/PT.

Check out the full schedule of Godzilla flicks below!

FRIDAY, DECEMBER 23RD

6:00 AM ET/PT           “GOJIRA”

8:00 AM ET/PT           “GODZILLA: KING OF THE MONSTERS”

9:30 AM ET/PT           “GHIDORRAH: THE THREE HEADED MONSTER”

11:30 AM ET/PT         “GODZILLA VS. BIOLLANTE”

1:30 PM ET/PT           “GODZILLA RAIDS AGAIN”

3:00 PM ET/PT           “GODZILLA VS. MONSTER ZERO”

5:00 PM ET/PT           “MOTHRA VS. GODZILLA”

7:00 PM ET/PT           “GODZILLAS REVENGE”

8:30 PM ET/PT           “TERROR OF MECHAGODZILLA”

10:30 PM ET/PT         “GODZILLA VS. MECHAGODZILLA II”

1:00 AM ET/PT           “GODZILLA VS. MOTHRA”

3:00 AM ET/PT           “GODZILLAS REVENGE”

4:30AM ET/PT            “RODAN”

SATURDAY, DECEMBER 24th

6:00 AM ET/PT           “GODZILLA VS. DESTOROYAH”

8:00 AM ET/PT           “GODZILLA VS. KING GHIDORAH

10:00 AM ET/ PT        “GODZILLA VS. MEGAGUIRUS: THE G ANNIHILATION STRATEGY”

12:00 PM ET/PT         “GODZILLA, MOTHRA, AND KING GHIDORAH: GIANT MONSTERS ALL-OUT ATTACK

2:00 PM ET/PT           “GODZILLA VS. DETOROYAH”

4:00 PM ET/PT           “GODZILLA: FINAL WARS”

6:30 PM ET/PT           “GODZILLA: TOKYO S.O.S.”

8:30 PM ET/ PT          “GHIDORRAH: THE THREE HEADED MONSTER”

10:30 PM ET/ PT        “GODZILLA: KING OF THE MONSTERS”

12:30 AM ET/PT         “GODZILLA RAIDS AGAIN”

1:30 AM ET/PT           “GODZILLA: FINAL WARS”

4:00 AM ET/PT           “GODZILLA, MOTHRA, AND KING GHIDORAH: GIANT MONSTERS ALL-OUT ATTACK

SUNDAY, DECEMBER 25th

6:00 AM ET/PT           “MOTHRA VS. GODZILLA”

8:00 AM ET/PT           “TERROR OF MECHAGODZILLA”

10:00 AM ET/PT         “GODZILLA VS. MECHAGODZILLA II”

12:30 PM ET/PT         “GODZILLA: FINAL WARS”

3:00 PM ET/PT           “GODZILLA: TOKYO S.O.S.”

5:00 PM ET/PT           “GODZILLA VS. MOTHRA”

7:00 PM ET/PT           “GODZILLA VS. SPACEGODZILLA”

9:30 PM ET/PT           “GODZILLA VS. DESTOROYAH”

11:30 PM ET/PT         “GODZILLA VS. KING GHIDORAH”

1:30 AM ET/PT           “GODZILLA VS. BIOLLANTE”

4:00 AM ET/PT           “GODZILLA VS. MEGAGUIRUS: THE G ANNIHILATION STRATEGY”

MONDAY, DECEMBER 26th

6:00 AM ET/PT           “RODAN”

7:30 AM ET/PT           “GODZILLA VS. SPACEGODZILLA”

10:00 AM ET/PT         “GODZILLAS REVENGE”

11:30 AM ET/PT         “GHIDORRAH: THE THREE HEADED MONSTER”

1:30 PM ET/PT           “GODZILLA VS. MECHAGODZILLA II”

4:00 PM ET/PT           “GODZILLA VS. KING GHIDORAH”

6:00 PM ET/PT           “GODZILLA VS. MEGAGUIRUS: THE G ANNIHILATION STRATEGY”

8:00 PM ET/PT           “GODZILLA AGAINST MECHAGODZILLA”

10:00 PM ET/PT         “GODZILLA VS. MOTHRA

12:00 AM ET/PT         “GODZILLA VS. SPACEGODZILLA”

2:30 AM ET/PT           “GODZILLA: TOKYO S.O.S.”

4:30 AM ET/ PT          “GODZILLA RAIDS AGAIN”

To find El Rey Network in your area check out the channel finder here

Rogue One: A Star Wars Story looks to be the prequel fans deserve

rogueone_onesheet

When George Lucas sold Lucasfilm to Disney back in 2012 many breathed a sigh of relief.  Even though Lucas was the creator of the immensely popular space opera the reaction his prequel trilogy received was mixed to say the least. A majority of criticism stemmed from the over reliance on green screen and digital effects rather focusing on the grand story telling aspect that made the original films a beloved sci-fi series. Plus the wooden acting and clunky dialogue certainly didn’t help either.

George ultimately decided to give Star Wars back to the fans and let the next generation of young film makers reignite that spark of excitement in all of us who enjoy time and time again traveling to that galaxy far, far away. While Episode VII: The Force Awakens went back to many of the techniques the classic trilogy employed I felt like it stepped into the same foot prints of A New Hope without taking the risk of deviating from a set path and didn’t challenge itself to be different. The other reason I didn’t get behind The Force Awakens as others is we’ve had six movies devoted to the Skywalker lineage the time is right to go explore other avenues of the force.

What gets me excited now that Disney owns the property is the decision that in between the main saga films fans are going to get spin offs that will focus on side characters or various other elements in a limitless universe. The first stand alone, Rogue One, is set to be released in theaters in less then a month and will tell the story of how the rebels were able to get their hands on the Death Star plans. My initial thoughts were for the most part skeptical towards the idea until it was announced that Gareth Edwards (Godzilla) had signed on to direct. While a select few were lukewarm to Edwards’ interpretation of the king of the monsters there is no denying that the man has a keen eye for delivering breathtaking visuals as well as a grand sense of scale.  You couldn’t ask for a better choice to direct a stand alone film as every trailer for Rogue One captures the style of the original trilogy in stunning perfection. Having that sheer scope mixed with classic Stormtroopers is enough for me to buy a ticket opening night but if there was any other reason to get on board its the big screen return of the iconic Dark Lord of the Sith himself, Darth Vader.

Nowadays one can’t simply be a Star Wars fan without checking out the official tie-in novel. Catalyst: A Rogue One Novel serves as a prequel to the prequel (if that makes any sense) and from the 14 chapters I’ve made my way through thus far its a fascinating/involving read well worth looking into before heading out to the theater on December 16th. I might delve into the novel a bit more on here once I’ve finished it and we’ve all had time to dissect Rogue One: A Star Wars Story as the new year approaches. You can pick up your copy of Catalyst by clicking on the book artwork below.

catalyst_a_rogue_one_novel

Schlocktoberfest 2K16 Day 6: Cloverfield (2008)

cloverfield
Lady Liberty is going to be feeling that one in the morning.

Synopsis: A group of friends venture deep into the streets of New York on a rescue mission during a rampaging monster attack.

There was a point in time where I generally detested found footage movies even if the premise was something naturally appealing to me the moment I found out it was taking the found footage approach I’d work myself up into an inconsolable rage. My general frame of thinking would always be why would I waste my time trying to enjoy one of these when all I want to do is walk up to the person working the camera and tell them to take a few deep breaths, calm your nerves and just hold the damn thing steady. It is sort of difficult to find any entertainment value when you walk into a movie theater the lights go dim and then all of a sudden the camera starts shaking wildly and you have to run to the nearest bathroom because motion sickness gets the better of you. I mean doesn’t that sound like an absolute wonderful night out at the movies? You come home and your friends/family/loved ones ask how the film was and you’re like oh it was pretty entertaining up until the point where I almost redecorated the floor of the cinema with the lunch I had this afternoon. Over time my feelings have began to simmer as I found the best way to view the found footage genre is through the comfort of your own living room television set (quite the revolutionary concept, isnt it?). No matter the consensus the shaky cam technique has left its mark transitioning into action films like the Jason Bourne series and will most likely continue to be a thorn in the side of those who wish film makers would lock the camera down in one stationary position until the final credits roll.

Its no secret that I live and breath Kaiju (giant monster) movies so long as there is a giant creature rising out of the earth finding its way towards civilization and toppling over humongous skyscrapers reigning down chaos and destruction I’m front and center. Cloverfield remained out of my collection until I came across it in the value DVD bin and thought to myself you’re too good of a deal to pass up but I’ll never find any tolerable way to get any sort of fulfillment out of you. Then a strange thing happened one night out of the blue (to quote Doc Brown) I figured what the hell popped the disc in the Blu-ray player and hit play. I managed to make it through the movie and to my complete and utter surprise I said to myself you know what this really isn’t half bad. Yes the shaky cam can be a bit irritating however keeping the point of view solely from the perspective of a group of people witnessing a monster attack at the very moment it happens is something that up until 2008 had never been done before. I really didn’t care for having a bland love story as the jumping off point but where the saving grace takes form is with the comedic relief in a great character actor by the name of T.J. Miller. The footage is shot from his point of view and he’s always keeping the mood light through his witty banter. There’s a point where his group of friends are walking in a subway tunnel and he brings up an incident that happened years prior to the monster attack where a maniac was lighting hobos on fire in the very same area. It’s probably the most sporadic line of dialogue in the entire film and part of me wonders if Miller ended up throwing that line out there in a random take to see how the rest of the cast and crew would react. Regardless I have a newfound respect for Cloverfield that I didn’t when it initially hit. It takes some splintered elements from Godzilla and Gamera and presents them for the modern generation who are constantly documenting things on the fly then minutes later upload the footage for the entire world to see warts and all.

Final Grade: B

The calm before the storm…

Hey all,

With less then a week remaining until October its time to drop in and post a quick little update on a few things before the Direct 2 Video Dungeon’s 3rd Annual Schlocktoberfest takes form.

First off remember when The Return of Godzilla was featured in last year’s marathon? I made note of the fact that at the current time it wasn’t officially available in North America and if one wanted to view it you would have to go the bootleg route. Well thanks to the folks over at Kraken Releasing The Return of Godzilla (aka Godzilla 1984) dropped on to store shelves via DVD and Blu-Ray a couple weeks back. I’ve always been a firm supporter of going through the legal means of owning all forms of entertainment so if by chance any of you picked up the bootleg DVD please do the right thing and click on the Amazon link embedded in the artwork below and pick up your own official copy that way Kraken can continue to work hand in hand with Toho to bring some other obscure Godzilla classics to North America.

The Return of Godzilla

While on the topic of new releases classic gamers will be ecstatic to find out that Super Castlevania IV is now available for the Nintendo 3DS. Truthfully I haven’t done any handheld gaming since the days of the original Game Boy however the fact that Nintendo is releasing one of their most iconic hits on the latest version of their extremely popular handheld console proves that a classic vampire slayer will forever remain immortal. Plus do I have to even mention the fact that you can pick this up for a mere $8! All I can say is good luck trying to find a used original cartridge and a working SNES for that much (you simply won’t).

For those of you wanting to know where Schlocktoberfest 2K16 will focus you’ll just have to wait and see what direction I choose to go in. If anyone has any suggestions that they would like featured this year by all means throw them my way via the comments section in this post.

That’s it until Saturday. See you then!

Schlocktoberfest Day 28: Godzilla (2014)

With a purposeful grimace and a terrible sound. He pulls the spitting high tension wires down.
With a purposeful grimace and a terrible sound. He pulls the spitting high tension wires down.

Synopsis: The world’s most famous monster is pitted against malevolent creatures who, bolstered by humanity’s scientific arrogance, threaten our very existence.

Schlocktoberfest Day 27: Pacific Rim (2013)

To fight monsters we created monsters. Because when Michael Bay bastardized Optimus Prime the world deserves an awesome giant robot movie.
To fight monsters we created monsters. Because when Michael Bay bastardized Optimus Prime the world deserves an awesome giant robot movie.

Synopsis: As a war between humankind and monstrous sea creatures wages on, a former pilot and a trainee are paired up to drive a seemingly obsolete special weapon in a desperate effort to save the world from the apocalypse.