Synopsis: Six young actresses auditioning for a movie role at a remote mansion are targeted by a mysterious masked murderer.
The lengths some actors/actresses will go to to deliver truly iconic performances are what separates those who set their sights on Hollywood because of their model good looks and just want to be famous for the attention to those who start out with simple bit parts as they slowly struggle their way up the ladder of success to one day be nominated for the biggest prize in the industry, a coveted Oscar. The late great Heath Ledger got his first big break as a heart throb in the teen comedy 10 Things I Hate About You and after the monster success of that film refused to be typecast choosing his next roles very carefully. By the time he accepted the role of The Joker in Christopher Nolan’s The Dark Knight the initial reaction from people was how could someone who did lighthearted comedies like 10 Things and A Knight’s Tale play the clown prince of crime? In preparation Health locked himself in a hotel room for the better part of a month keeping a journal and slowly created the Joker’s voice, laugh, and mannerisms. With Heath’s unexpected passing months before the film’s premiere there were some who wondered if he perhaps went a little too far down the rabbit hole in order to attain the performance of a lifetime. I never really thought of the events surrounding Heath’s death as more than a unfortunate tragedy and upon watching the first half of Curtains I can definitely see where that certain line of thinking can come into focus. An actress decides that in order to fully embrace a character that she is going to be playing convinces the director of the film to have her committed to a woman’s insane asylum and surround herself with individuals who have a wide array of disorders. At first she is able to play along relying on her acting to convince the staff that she has had a complete mental breakdown yet as the days wear on her interactions between fellow inmates legitimately begin to take their toll on her own mental stability. It certainly doesn’t help matters when she comes across an issue of Variety with front page news that the director has decided to hold an open casting call looking for another actress to play the role instead.
So what do you honestly think is going to happen when an aging actress is conned into being institutionalized and then finds out that the director of the film she was set to star in had little to no interest in using her in his production? Anyone… anyone… Bueller? Bueller? Congratulations, if you said that the emotionally crippled, highly jealous, now potentially insane former starlet was going to find a way to break out of the women’s asylum and begin plotting her revenge give yourself a pat on the back. Curtains has a solid dynamic behind the first 30 to 45 minutes where you’re naturally intrigued as to whether there is going to be a huge payoff or not. The director and writers go so far to introduce a second killer to really try and keep you second guessing but like any murder mystery of the week it doesn’t take much sleuthing to figure out who is behind the other set of killings. What’s even worse is there’s a point a good three quarters of the way through where the plot starts to drag itself around like the dead body of one of the film’s victims. I like the fact that Curtains takes the secluded approach of The Shining by having the main setting be a house that is out in the middle of nowhere while a blizzard has all the roads are snowed in. I love that John Vernon (National Lampoon’s Animal House and Killer Clowns From Outer Space) gives audiences another solid performance as a vile/cutthroat director that treats all the actresses auditioning for him as nothing more than mere set decoration. There’s certainly a sense of style here and regrettably its marred down by trying to do too much too fast and not allowing that much breathing room in between. While I understand that Curtains has developed a cult following over the years after my one and only viewing I think I’d find more enjoyment in comforts of a straight jacket and a comfy padded/soundproof cell.
Final Grade: D